Valerie Gudenus was inspired to make her award-winning film on surrogacy in India, Ma Na Sapna – A Mother’s Dream(2013), by American sociologist Arlie Russell Hochschild’s work on the outsourcing of emotional services (The Outsourced Self: What Happens When We Pay Others to Live Our Lives for Us, 2012). As Gudenus says in an interview, she wanted to make a film about “how different worlds and different areas are connected through certain dependencies.” Following one month of research in India on her own, she and her team went there to shoot the film in the world’s largest surrogacy clinic: the Akanksha clinic, in Anand, Gujarat run by Dr. Nayna Patel. Indeed, the film shows surrogacy as an “amazing example of worlds being connected in a very interesting way” (Gudenus).
The clinic had already taken center stage in Zippi Brand Frank’s documentary Google Baby (2009), and it was key to sociologist Amrita Pande’s in-depth ethnographic work Wombs in Labor (2014) on transnational commercial surrogacy in India. Despite this existing coverage, Gudenus brings a new and sensitive view of the surrogate mothers who are otherwise largely invisible – whether in the public perception or to the customers from abroad whose babies they carry – and allows them to speak for themselves.
Over a period of three months, Gudenus and her team spent every day with the women either at the Akanksha clinic or in the home for surrogates which it runs in a secluded by-road. The film opens with Madhu, a surrogacy “scout” who recruits women to become surrogates.
The views, opinions and positions expressed by these authors and blogs are theirs and do not necessarily represent that of the Bioethics Research Library and Kennedy Institute of Ethics or Georgetown University.