Hidden Figures Panel Mind the Gap: (In no order) Melina Saval (Variety), Elizabeth Gabler (president, Fox 2000), Mimi Valdez (Executive Producer), Mandy Walker (DP), Marissa Paiva (Vice President, Fox 2000), Zoë Elton (Director of Programming), Mark Fiskin ( CFI Executive Director)
HIDDEN FIGURES is a high concept film, but not unbearably weighted. Instead, writer Director Theodore Melfi’s exquisite ensemble animates this inspirational focused story with humor as well as purpose. These are after all the things daily helping people survive oppression. Among the actors are Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, and Jim Parsons. For my money — it is a Peace Genre film.
HIDDEN FIGURES is important because it speaks to the lives of ordinary working people. In this case in a Black American community. They are not the most deprived, not the wealthiest. Depicting social and environmental justice only in the context of brutality desensitizes viewers to the subtle degradation which wears away at a persons potential. Violence brings in the box office, but where are the rest of the stories? Is the only drive for a better life defense of ones lowest level of the Maslow Scale — food and shelter? Evidence suggest otherwise and so does HIDDEN FIGURES.
There is an on going dialog between film and social responsibility. Part of this dialog is stimulated by the technology of the art of film and the function of the brain. Our movie memory seems to go where our actual memory is stored. Over time our life understanding seems blurred with the stories and films we have seen mixed with those we have lived.
The views, opinions and positions expressed by these authors and blogs are theirs and do not necessarily represent that of the Bioethics Research Library and Kennedy Institute of Ethics or Georgetown University.