by Tobias Rees
University of California Press, 2016, 352 pages
In the prefatory pages of Plastic Reason, Tobias Rees explains that his ethnographic study of the lab of French biologist Alain Prochiantz — one of the earliest proponents, technicians, and conceptual architects of neuronal plasticity — is ultimately “about the emergence of possibilities where before there were none” (xiii). If we are to appreciate the conceptual transformation in neuronal research that took place in France and specifically in Prochiantz’s lab in the late 1990s, Rees insists that we must view this development not only as the formation of a new style of neuroscientific thinking but also as the emergence of an entirely new object. Rees writes, “Within the roughly one hundred years I cover here (from the 1890s to the 1990s), what the brain is changed many times over. […] Conceptually speaking, each one of these changes mutated what the brain is, and each mutation changed, however slightly, the analytic focus of the neuronal sciences” (89). Plastic Reason, then, has a double focus: on the one hand to narrate and rationalize the emergence of Prochiantz’s specific doctrine of neuronal plasticity and, on the other hand, to take stock of the very object that emerged, “the enactment of a brain that is neither a fixed chemical machine nor an already wired computer, but instead a living organ characterized by ceaseless cellular becoming” (195).
Central for Rees is the claim that Prochiantz’s specific conception of plasticity — namely, neuro-cellular embryogenesis that continues into adulthood — was radically different from, and effectively sought to dethrone, the preceding dominant view of plasticity defined by synaptic rewiring.
The views, opinions and positions expressed by these authors and blogs are theirs and do not necessarily represent that of the Bioethics Research Library and Kennedy Institute of Ethics or Georgetown University.