Bioethics Blogs

INTERWOVEN: Listening, Hearing and Bioethics

Director, Writer, Cinematographer and some Cast of INTERWOVEN

The film Interwoven had its world premiere at the 38th Mill Valley Film Festival,  October  9, 2015. It recalls the best of ensemble film traditions. There is a touch of John Cassavetes improvisational script development, a whisper of Pasolini’s version of Giovanni Boccaccio’s Decameron, and the texture of films like Grand Canyon and Traffic. This film is a part of the Peace Film genre (c.f. La Mission)

Unique to Interwoven, each character is initially stereotypical. Then, just as the viewer raises their palms to yawn, the inner-lives of the characters explode, or implode, on the screen in a web of inter-related complexity. Does the homeless sage deserve what he’s not got? Is a suicide prevention worker past giving a damn?  Can a violinist’s shrill racket be a prelude to virtuosity? This is not a preachy movie, though it does not shy away from message.  Everything doesn’t work out for this band of some sixteen Interwoven people, but everything does indeed work.

Directed by VW Scheich, and co-written with Uyen K (who is incidentally the director’s entertainment attorney-wife). Interwoven is an ambitious first feature for this team. Screech breaks many novice rules.  A new director should use a small cast, few locations, and focus on dialog over geography. — These were not Screech’s choices. Screech confounds matters more by moving boldly across culture, race and class, over wide swaths of Los Angeles, creating a kaleidoscope of hope.  

The ensemble of Interwoven includes award winning star Mo’Nique (Precious). However, the majority of the players are solid ‘work a day actors.’

The views, opinions and positions expressed by these authors and blogs are theirs and do not necessarily represent that of the Bioethics Research Library and Kennedy Institute of Ethics or Georgetown University.