Norma Rae is a 1979 film, based on the life of the late, legendary, textile workers’ union organizer, Crystal Lee Sutton. In the title role, Sally Field honors the formidable works of the film’s director Martin Ritt, and the screenwriting spouses Harriet Frank and Irving Ravetch. The re-viewing of Norma Rae, in a bioethical context, is prompted by the worker health confounding plethora of anti-union legislation plaguing several of the poorest states of the USA. An eighteen year old, entering the work force this year, has probably never seen the film Norma Rae. That is a travesty.
The character Norma Rae was a textiles factory worker in North Carolina. It was the 1970s, when the textiles industry in the USA employed nearly 40% of the nation’s workforce, and was largely not unionized. The same industry is now less than 2% of the work force but is experiencing a resurgence in the past few years, as work is returning from the instability of other nations.
Norma, was poor, white, widowed and a mother of three. The factory town in North Carolina where she lived was rife with poverty, racism, sexism and classism. She worked in the town company factory, as her parents had before her, and still did. The heft of this story and performances, taking this woman from unconscious to universal conscience remains impressive. Norma Rae stands on the shoulders of Article 23 of the Universal Declaration of Human Rights which ascribes:
Everyone has the right to work, to free choice of employment, just and favorable work conditions, protection against unemployment (and among other things), the right to form and to join trade unions for the protection of their own interests.
The views, opinions and positions expressed by these authors and blogs are theirs and do not necessarily represent that of the Bioethics Research Library and Kennedy Institute of Ethics or Georgetown University.